Pretty Little Liars – PlAytime (7×11) (2024)

Pretty Little Liars, which premiered in 2010 on ABC Family (now Freeform), took fans on a rollercoaster ride. The twists and turns were so dramatic and exaggerated, halfway through the show’s 7 season run, many fans began to taper off.

Dedicated fans, however, stuck it out despite the fact that the show was rapidly going off the rails. Why? Because they desperately needed to know the identity of “A,” and later, “AD,” once and for all.

And the glorious day came on June 27, 2017. As we sat huddled up in front of our TV screens, we were filled with a mix of emotions ranging from confused, misled, and finally, relieved.

“Relief” is a strange emotion to feel when a show ends. Most fans tend to feel a sadness wash over them when the curtain falls, but with PLL,the finale was a sign that the madness was officially over.

The journey with the liars is one we’ll never forget, but let’s face it – most fans are not clamoring for more, especially not a mere three years after the finale. Heck, some of us are still trying to piece that ending together in a way that makes any rational sense.

We’re living in a time where reboots are hailed by TV executives as a sound and sure-fire idea. There’s plenty of examples of success: Dynasty, Chilling Adventures of Sabrina, Charmed, and Roswell, New Mexico. Even revivals that have honed a place in society with shows like The Conners and Fuller House both leading the pack.

But the one thing that these reboots have in common is that the original shows aired a decade or more ago. The key to a successful reboot is nostalgia; they aim to hook the original fans while also appealing to a brand new generation.

Reboots may either reimagine a familiar story with a modern spin and new characters or reunite fans with characters years later a la catching up with friends years after college.

It’s obvious that PLL does not fall into the category of a show that warrants a reboot. Not yet, at least. There’s no sound argument when one could argue that enough time has passed to try to take a stab at this overly complex teen mystery drama once again.

One of my biggest gripes with the PLL reboot, which was officially announced as an HBO Max original, is that it doesn’t center around the original liars.

I’m firm in my belief that had it not been for the popularity, relatability, and dynamic of Lucy Hale, Ashley Benson, Troian Belissario, Sasha Pieterse and Shay Mitchell, the show wouldn’t have found a cult-like following or lasted as long as it did. The ladies made the show worth watching and managed to sell us on every single outrageous storyline.

Many of us stuck with the series because of our love for the liars. But the reboot, billed as “set miles away from Rosewood” in a new town, with a new set of characters, strips the very identity of PLL.

How can you have a show without any involvement from Aria, Emily, Hannah, Spencer, and Alison? They are thepretty little liars. There is no show without them. No one is interested in watching a new generations of teens get tormented by threatening cyber-stalker who knows too much about their life, which was fun to watch partially because it paralleled the rise of technology and the fears surrounding privacy that came along with the emergence of social media.

Even if the ladies considered (and I use that term loosely — they are over here working on their careers and expanding their families, after all) returning for a reboot, not enough time has passed for a proper reunion.

There’s been talk of a potential movie sequel involving the original liars, and truthfully, that’s an idea fans of the original could get behind. It would be a one-time thing, it wouldn’t overstay its welcome or feel forced, and it would hopefully gives fans the follow-up they’ve been dying for.

Earlier this year, Hale said she wouldn’t “rule anything out” but ultimately, they’d “need a little more time to pass.”

We also cannot ignore there’s the fact that PLL’s Marlene King attempted her own reboot of sorts shortly after the series concluded and even centered the storyline around two familiar faces, Alison DiLaurentis (Pieterse) and Mona Vaderwaal (Janel Parish), to drum up support and interest from the core fandom. That didn’t work.

PLL: Perfectionistslasted a whole ten episodes before Freeform pulled the plug leaving any fans that submitted themselves to yet another A-like mystery in the dark. It’s a shame the series wasn’t give a real chance because it had potential if it stayed true to the books and veered away from trying to make it so much like it’s predecessor. In this case, a complete overhaul could’ve worked if done right.

And it’s probably better if I don’t mention Ravesnwood, the second PLL spinoff that centered around Caleb Rivers (Tyler Blackburn), which saw a lot of people seeing dead people in the neighboring town. It’s not that I didn’t enjoy the show’s ten-episode run, but it’s yet another example of the franchise trying to reinvent the wheel and failing miserably.

If King couldn’t make these shows work while PLL was at its height, maybe it’s because the audience needed to take a break from the world of A?

Which brings me to my next point… Roberto Aguierre-Sacasa. You may not know the name, but if you love teen dramas, you’re familiar with his work. He’s the brains behind The CW’s successful and oftentimes disturbing teen thriller Riverdale.

One fan on Reddit noted that“PLL walked so Riverdale could run,” and let’s be honest, plenty of fans (and critics) have called the show a hot mess. However, that’s what we’ve come to love about Riverdale; it’s wacky, weird, and only tolerable when you suspend all disbelief.

He’s also proven himself in the reboot-realm with Chilling Adventures of Sabrina. CAOS is an entirely different ballgame; it’s a dark twist on the 90s sitcom Sabrina the Teenage Witch that pulls much of its inspiration from the Archie comics. It offers up an entirely new world featuring new takes on some beloved characters. Not to mention Sabrina wrapped its run in 1996 meaning enough time has passed; the world was ready for the Spellman’s once again.

As I mentioned, CAOS is ending with its upcoming season while Aguierre-Sacasa’s other series, Katy Keene, was cancelled after just a season at The CW.

I’m not questioning Aguierre-Sacasa’s qualifications — I’m a fan of his shows — but I don’t think jumping into and revamping a still-fresh franchise is necessary right now.

Apparently, neither does Twitter. One person commented that he should “stick to one show and make that good.” I’d prefer HBO Max gave Katy Keene another try rather than investing into this PLL reboot.

The reboot seems to be hoping to capitalize on the the original fandom(the brief teaser features the same imagery as the original right down to the logo), but the fandom has opposed a reboot from the start. And they’ll be further alienated with the reboot’s description of a “horror-tinged, coming-of-rage” version.

Aguierre-Sacasa’s strength lies within creating shows permeated with twisted mysteries that have a campy, horror vibe, which is tonally different than the psychological mind games we’ve come to expect from PLL.

There’s room for another teen thriller, obviously, but maybe it would be best to leave the franchise alone and call the show, which is shaping up to be its own entity anyway, something else entirely? “Original Sin” minus the “Pretty Little Liars” would have given the series a fresh-slate without any comparisons.

Here’s the show’s description so you can decide for yourself: “Twenty years ago, a series of tragic events almost ripped the blue-collar town of Millwood apart. Now, in the present day, a group of disparate teen girls — a brand-new set of Little Liars — find themselves tormented by an unknown Assailant and made to pay for the secret sin their parents committed two decades ago. as well as their own.”

I’ll watch merely out of curiosity and because I’ve made television my job, but man, I haven’t even had time to miss PLL yet.

If you really need to feel the PLL-void in your life, the best thing to do is just stream the original episodes, because I think we can all agree that some things are better off left alone… at least until enough time has passed to revisit them through a new lens.